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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Legs in metal lacquered white, clay, mocha or black, seat in oak veneer in natural or stained black or in walnut
Dimensions:
W480 x D500 x H800 mm SH460 mm
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A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
From the skillful glass bending process arises a coffee table that combines the charm of traditional craftsmanship with the elegance of contemporary design. Available in different finishes, it brings harmony in each environment and meets every need.
Baobab is characterised by the contrast of the full rounded form of the seat with the fine and elegant profile of the back. The result, quite apart from its unique personality is a very pleasing, comfortable and eye catching piece.
3 Feet is a collection of hexagonal coffee tables made of bent glass, able to give to the house a lively touch of originality. They can be put together playing with the different heights and finishes.
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Rubino is a jewel of elegance and manufacturing technique: the glass sweeping curve which is its distinguishing design feature, is achieved through an exclusive process which gives a feeling of floating lightness.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.