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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Legs in metal lacquered white, clay, mocha or black, seat in oak veneer in natural or stained black or in walnut
Dimensions:
W480 x D500 x H800 mm SH460 mm
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Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
A flexible table designed by Patrick Norguet for Kristalia that can be stored easily, without sacrificing the elegance of its shape. Poule is ideal for public spaces, it’s easy to store and move around with lightweight structure.
$7,300.00
Named after the mythical Titan condemned to hold up the heavens on his shoulders, the solid legs of the Atlas table stand strongly as support for the spacious tabletop. The meeting and contrast between the legs and the tabletop is central to the design, where each element exaggerates the other giving the table its distinct […]
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]