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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Legs in metal lacquered white, clay, mocha or black, upholstery in a selection of fabrics or leather
Dimensions:
W480 x D500 x H800 mm SH460 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Spider is a coffee table made up with a single sheet of glass, artfully cut and bent: a pleasingly original presence in the living area. Matching freely the shapes and finishes it is possible to create infinite able to convey different emotions.
Shell is a side table with harmonious lines. Bent through exclusive technologies, it allows to place and at the same time display any kind of object with a special style.
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
$2,910.00
Originally designed in 1959, the X table exemplifies the pinnacle of Hvidt & Mølgaard’s work as creative collaborators. Revived from family archives, the table draws its unique design from ancient Egyptian folding chairs. Based on the same principles as the X chair, for which it was originally created to complement, the X table showcases the […]
A new table whose shapes and materials are enhanced in a natural equilibrium of geometries thanks to the iconic base inspired by the sculpted lines of the Dolomites.
$2,410.00
Olo is a family of monolithic accent tables casted in concrete. They are modern sculptures that suit perfectly the living area. Essential in shapes with maximum expressive force.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.