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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Legs in metal lacquered white, clay, mocha or black, upholstery in a selection of fabrics or leather
Dimensions:
W480 x D500 x H800 mm SH460 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
But how many pillows are needed to make a sofa? Paolo Rizzatto would answer 33! But be careful, these 33 pillows build the sofa don’t simply equip it. Metaphorically speaking, the sofa gets back to the origin of its evolution when it was nothing more than a lot of pillows on the floor or leaning […]
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.