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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Swivel, base in metal lacquered white, clay, mocha or black, seat in oak veneer in natural or stained black or in walnut
Dimensions:
W480 x D500 x H800 mm SH460 mm
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Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore […]
Basic chair with essential design, the rod forms the profiles and volumes with graceful symmetry between empty and filled spaces.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.