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Designed by Lievore Altherr Molina
Concave and convex mirrors create amazing effects and compositions, projecting the space into a new dimension.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear convex or concave
Dimensions:
DIA310 x THK50 mm DIA520 x THK50 mm DIA680 x THK50 mm
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A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
A system of extremely versatile sofas, Lounge chairs, and benches, developed and designed to suit any space and expressing an universal and international style with a fine and elegant form. A versatile system of sofas and benches inspired by the idea of designing a system with multiple options and uses. The seats are available with […]
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
$860.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.