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Designed by Lievore Altherr Molina
Concave and convex mirrors create amazing effects and compositions, projecting the space into a new dimension.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear convex or concave
Dimensions:
DIA310 x THK50 mm DIA520 x THK50 mm DIA680 x THK50 mm
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Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
The Dreamers is a coffee table in solid walnut, ash and oak. Composed of drawers, with black metal base. The idea is based on highlighting that object which is commonly the container of our dreams.
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.