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Designed by Guido Porcellato
Rubino is a jewel of elegance and manufacturing technique: the glass sweeping curve which is its distinguishing design feature, is achieved through an exclusive process which gives a feeling of floating lightness.
Finishes:
Structure in glass in clear, tinted smoke, lacquered or 2 tone lacquered in a selection of colours
Dimensions:
W1100 x D700 x H290 mm W1100 x D900 x H290 mm
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Tulip is designed to offer a useful support top in lounge areas, adding value to the whole space with its refined design. The choice among different materials and colours available for the top allows different interpretations and leaves the imagination free in each furniture setting.
The Denver mirrors collection embraces the new ceramic frames. The different mirror shades available for the central mirror, from the extralight to the bronzed and the smoked, allow to create unique combinations that furnish the interiors in harmony with different styles and environments.
$1,320.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$1,640.00
Rooted in a shared form, the Kin Tables by British designer John Astbury explore the quiet strength of repetition and relation. Defined by their soft curves and sculptural presence, each piece in the collection is anchored by a pedestal base and a tabletop cut from the same formal language – yet rotated to create contrast […]
This original and versatile series of coffee and side tables is available in different shapes, sizes, materials for the top and in different finishes for the metal base. Ideal as lamp/ coffee table, it perfectly matches with any kind of seat, thanks to its lively personality.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.