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Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in wood with oak veneer in natural or stained with smoke or black laminated glass, top in oak veneer in natural or stained or black laminated glass
Dimensions:
W550 x D550 x H450 mm
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An elegant, essential and modular solution, to transform every space into a fascinating display.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.