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Lazada
Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in wood with oak veneer in natural or stained with smoke or black laminated glass, top in oak veneer in natural or stained or black laminated glass
Dimensions:
W550 x D550 x H450 mm
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An elegant, essential and modular solution, to transform every space into a fascinating display.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Combi makes the spaces abstract like in a painting thanks to the various reflections and the different mirror shades. The aluminium structure separates but also accompanies harmoniously the different parts like in a mosaic. The reflection is the element that gives significance to the space.
Campos is a new mirror concept. It combines a graphic composition with different mirror shades, giving life to a furnishing element that acquires full autonomy in the architectural spaces, offering new perspectives of reflection thanks to the slanted smaller mirror.
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.