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Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in wood with oak veneer in natural or stained with black laminated glass, top in tinted smoke glass
Dimensions:
W1300 x D360 x H850 mm
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
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A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Padded pouf. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Garconne, whose structure is fully covered with leather, is a sofa boasting wide and generous shapes; its soft and large cushions in leather or fabric are bounded by slim, gently curved armrests. Completed by the armchair, Garconne is a luxury item, a fully-fledged protagonist, designed for socialites and people who love meeting friends and relaxing […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.