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Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in wood with oak veneer in natural or stained with smoke or black laminated glass, top in oak veneer in natural or stained or black laminated glass
Dimensions:
W900 x D900 x H350 mm
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Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
3 Feet is a collection of hexagonal coffee tables made of bent glass, able to give to the house a lively touch of originality. They can be put together playing with the different heights and finishes.
$1,510.00
The TT coffee table and side table are inspired by the delicate balance between void and density, offering a sense of lightness and transparency. The sculptural base, paired with an organically shaped glass top, creates a striking visual contrast that enhances the overall design. This combination brings a harmonious balance, resulting in a piece that […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
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