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Designed by Lievore Altherr Molina
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Finishes:
Structure in metal in lacquered mocha, black or burnished brass, top in mirror or frosted mirror, textured materia glass or in ceramic polished or matt finish
Dimensions:
W600 x D350 x H800 mm W1300 x D350 x H800 mm W900 x D900 x H450 mm W1200 x D1200 x H350 mm W1400 x D1400 x H350 mm W1200 x D600 x H350 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
In 1991, Dordoni beguns, among the firsts, a recovery process of traditional furniture by reinterpreting the classic English club sofa. Designed at the height of Minimalism, Hall collection recovers some fundamental values such as domesticity and comfort.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.