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Designed by Gianluigi Landoni
Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
Finishes:
Upholstery in a selection of fabrics or leather
Dimensions:
W500 x D510 x H830 mm SH460 mm
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Magda is a new collection of sideboards that combines the material aspect and the soft grains of the marble effect ceramic with the precious and fascinating shades of the Sovet’s mirrors
This original and versatile series of coffee and side tables is available in different shapes, sizes, materials for the top and in different finishes for the metal base. Ideal as lamp/ coffee table, it perfectly matches with any kind of seat, thanks to its lively personality.
The refined and minimal structure of Helia is enhanced by the shelves in bronzed or smoked mirror to give an exclusive charm to the interiors. The two sizes and the different widths allow different uses and combinations.
A new table whose shapes and materials are enhanced in a natural equilibrium of geometries thanks to the iconic base inspired by the sculpted lines of the Dolomites.
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
The ceramic or lacquered glass top of Toronto table is supported by a wooden base. The legs with the special “V” profile give a lively visual sense of lightness, while maintaining the solidity and strong presence of the overall structure.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]