Visit us in store for a wider selection of items not found online.
Lazada
Designed by Lievore Altherr Molina
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
Finishes:
Structure in metal in chrome, lacquered mocha, black or burnished brass, top in glass in clear or tinted smoke, lacquered or frosted lacquered, textured materia or in ceramic polished or matt finish
Dimensions:
DIA800 x H360 mm DIA1200 x H360 mm
0
Concave and convex mirrors create amazing effects and compositions, projecting the space into a new dimension.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Innovative and unusual product, which its design weaves around the nautical rope taking advantage and improvisation of the nautical rope production process for the application in the furniture sector. The skilful craftman work gives to the seat an added value between the craftmade and the industrial.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.