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Designed by Lievore Altherr Molina
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
Finishes:
Structure in metal in chrome, lacquered mocha, black or burnished brass, top in glass in clear or tinted smoke, lacquered or frosted lacquered, textured materia or in ceramic polished or matt finish
Dimensions:
DIA800 x H360 mm DIA1200 x H360 mm
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In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.