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Lazada
Designed by Lievore Altherr Molina
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
Finishes:
Structure in metal in chrome, lacquered mocha, black or burnished brass, top in glass in clear or tinted smoke, lacquered or frosted lacquered, textured materia or in ceramic polished or matt finish
Dimensions:
DIA800 x H360 mm DIA1200 x H360 mm
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A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Spider is a coffee table made up with a single sheet of glass, artfully cut and bent: a pleasingly original presence in the living area. Matching freely the shapes and finishes it is possible to create infinite able to convey different emotions.
Campos is a new mirror concept. It combines a graphic composition with different mirror shades, giving life to a furnishing element that acquires full autonomy in the architectural spaces, offering new perspectives of reflection thanks to the slanted smaller mirror.
The AKY collection of coffee tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
$1,840.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.