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Designed by Lievore Altherr Molina
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in a selection of glass lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak or walnut veneer
Dimensions:
W2000 x D1000 x H740 mm W2500 x D1000 x H740 mm W2400 x D1200 x H740 mm
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You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
$1,400.00
Like the undulating lines of coastal nature?simultaneously static yet softy organic?the Shore family embodies fleeting moments in its sweeping design. Crafted by designer Joel Fj?llstr?m, this upholstered series features a 2- and 3-seater sofa and an armchair, marking a significant chapter as his debut venture from his own creative atelier. The Shore Sofa beckons one’s […]
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.