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Designed by Lievore Altherr Molina
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in a selection of glass lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak or walnut veneer
Dimensions:
W2000 x D1000 x H740 mm W2500 x D1000 x H740 mm W2400 x D1200 x H740 mm
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A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
The Tao collection from Inclass is elegant, timeless and minimalistic.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.