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Designed by Lievore Altherr Molina
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in a selection of glass lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak or walnut veneer
Dimensions:
W2000 x D1000 x H740 mm W2500 x D1000 x H740 mm W2400 x D1200 x H740 mm
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A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
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Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
Armchair in painted metal and manually woven synthetic fiber. This outdoor furniture with characteristic hourglass shape is ideal for decorating terraces and outdoor spaces.
$3,890.00
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar […]