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Lazada
Designed by Lievore Altherr Molina
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in a selection of glass lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak or walnut veneer
Dimensions:
W2000 x D1000 x H740 mm W2500 x D1000 x H740 mm W2400 x D1200 x H740 mm
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An elegant, essential and modular solution, to transform every space into a fascinating display.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Bugatti has all the features to be a protagonist in home & contract spaces. The thickness of the padded cushion creates an elegant contrast with the slim lines of the structure, which supports a comfortable seat.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
$0.00
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
$2,110.00
Symbolic, archaic references and a sculptural silhouette define the Glyph Side Table, designed by the German studio, Hoffmann Kahleyss Design. The Glyph features a slightly translucent tabletop in black-tinted tempered glass appears to be floating while revealing the characteristic cross-sectional view of the base components. Crafted in black-stained oak veneer, two pointy ellipses elegantly meet […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.