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Designed by Lievore Altherr Molina
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in a selection of glass lacquered or frosted lacquered, textured net or in ceramic polished or matt finish
Dimensions:
W2200 x D1150 x H740 mm W2500 x D1200 x H740 mm W3000 x D1350 x H740 mm Bottle Shaped: W2000 x D1100 x H740 mm
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A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
A system of extremely versatile sofas, Lounge chairs, and benches, developed and designed to suit any space and expressing an universal and international style with a fine and elegant form. A versatile system of sofas and benches inspired by the idea of designing a system with multiple options and uses. The seats are available with […]
Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.