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Designed by Lievore Altherr Molina
Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
Finishes:
Structure in metal in chrome, lacquered mocha or burnished brass, top in glass lacquered in a selection of colours
Dimensions:
W1300 x D400 x H780 mm
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Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Dam is a transversal small armchair, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.