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Designed by Lievore Altherr Molina
An elegant, essential and modular solution, to transform every space into a fascinating display.
Finishes:
Structure in wood with oak veneer in natural or stained black, clear glass
Dimensions:
W450 x D350 x H1350 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.