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Designed by Lievore Altherr Molina
An elegant, essential and modular solution, to transform every space into a fascinating display.
Finishes:
Structure in wood with oak veneer in natural or stained black, clear glass
Dimensions:
W450 x D350 x H1350 mm
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Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
$1,480.00
Sett is a series of accent tables showcasing the innate beauty of marble and glass, inspired by a jewellery technique, where precious gems are inlaid and precisely ÔsetÕ into a frame. Designed by Luca Nichetto, the look is sharp and sophisticated, alluding to the influence of Scandinavian functionalism infused with NichettoÕs Italian accent on objects […]