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Designed by Lievore Altherr Molina
An elegant, essential and modular solution, to transform every space into a fascinating display.
Finishes:
Structure in wood with oak veneer in natural or stained black, clear glass
Dimensions:
W450 x D350 x H1350 mm
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Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
This original and versatile series of coffee and side tables is available in different shapes, sizes, materials for the top and in different finishes for the metal base. Ideal as lamp/ coffee table, it perfectly matches with any kind of seat, thanks to its lively personality.
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.