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Lazada
Designed by Gianluigi Landoni
Finishes:
Structure in steel with ceramic polished or matt finish, optional LED light 3000K
Dimensions:
W1000 x D310 x H70 mm W1500 x D310 x H70 mm W2000 x D310 x H70 mm W2000 x D490 x H880 mm W2500 x D490 x H880 mm
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Gocce di rugiada is a collection of soft lines mirrors, like lots of water drops gliding from autumn leafs. This feature, together with the panel on the back that allows a 360° rotation, allows to create infinite combinations, with even newer effects. Available also in the smoked and bronzed version to get further chromatic choices.
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
The refined and minimal structure of Helia is enhanced by the shelves in bronzed or smoked mirror to give an exclusive charm to the interiors. The two sizes and the different widths allow different uses and combinations.
A new table whose shapes and materials are enhanced in a natural equilibrium of geometries thanks to the iconic base inspired by the sculpted lines of the Dolomites.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.