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Lazada
Designed by Gianluigi Landoni
Finishes:
Structure in steel with ceramic polished or matt finish, optional LED light 3000K
Dimensions:
W1000 x D310 x H70 mm W1500 x D310 x H70 mm W2000 x D310 x H70 mm W2000 x D490 x H880 mm W2500 x D490 x H880 mm
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Gocce di rugiada is a collection of soft lines mirrors, like lots of water drops gliding from autumn leafs. This feature, together with the panel on the back that allows a 360° rotation, allows to create infinite combinations, with even newer effects. Available also in the smoked and bronzed version to get further chromatic choices.
Segment is a wall mirror with engraved segments of great visual impact. Available in various sizes in the square, rectangular or round shape, also with a led lighting on the back that catches the eye to the segment decoration.
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.