Visit us in store for a wider selection of items not found online.
Designed by Gianluigi Landoni
Finishes:
Structure in steel with ceramic polished or matt finish, optional LED light 3000K
Dimensions:
W1000 x D310 x H70 mm W1500 x D310 x H70 mm W2000 x D310 x H70 mm W2000 x D490 x H880 mm W2500 x D490 x H880 mm
0
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
$1,230.00
Inspired by the classics of the past and modern in its shape, Slen is the perfect mirror to elevate and add value to any space.
Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.