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Designed by Gianluigi Landoni
Magda is a new collection of sideboards that combines the material aspect and the soft grains of the marble effect ceramic with the precious and fascinating shades of the Sovet’s mirrors
Finishes:
Base in metal lacquered embossed black or burnished brass, structure in wood with top and door front in mirror in a selection of polished or frosted clear or tinted colours, ceramic polished or matt finish, optional metal profile lacquered in burnished brass
Dimensions:
W1000 x D490 x H1480 mm
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Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
$1,230.00
Inspired by the classics of the past and modern in its shape, Slen is the perfect mirror to elevate and add value to any space.
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
$3,020.00
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami KallioÕs solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools.
Horizon mirror is bordered by an aluminium frame characterized by a thin moulding at the edge. The reflective surface is also available with a frosted finish that draws an horizon line, playing with light and proportions. The different available sizes and the wall swivel fixing allow to create different situations and compositions.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.