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Designed by Gianluigi Landoni
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
Finishes:
Structure in cristal plant in white or lacquered black or burnished brass, solid ash in natural or stained wenge or solid walnut, top in glass in clear or in a selection of glass tinted, textured liquid or in ceramic polished or matt finish
Dimensions:
W1400 x D1400 x H760 mm
$690.00
Gocce di rugiada is a collection of organic form mirrors, like lots of water drops gliding from autumn leafs. This feature, together with the panel on the back that allows a 360? rotation, allows to create infinite combinations or arrangements.
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Gocce di rugiada is a collection of soft lines mirrors, like lots of water drops gliding from autumn leafs. This feature, together with the panel on the back that allows a 360° rotation, allows to create infinite combinations, with even newer effects. Available also in the smoked and bronzed version to get further chromatic choices.
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
The ceramic or lacquered glass top of Toronto table is supported by a wooden base. The legs with the special “V” profile give a lively visual sense of lightness, while maintaining the solidity and strong presence of the overall structure.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.