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Designed by Studio Sovet
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net, textured materia or in ceramic polished or matt finish
Dimensions:
W1400 x D1400 x H740 mm W1500 x D1500 x H740 mm W1800 x D1800 x H740 mm
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Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Delphi is a glass modular bookcase that creates a sinuous “wave” effect through its trapezoidshaped shelves of different sizes. The smoked glass version has a refined charm while the extralight finish looks particularly light and spreads brightness in the room.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
Pocky is a dining table with bold and sculptural forms. The pedestal base features a set of pillars that finished in colored lacquer, balance design and craftsmanship and also symbolized a happy reunion.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.