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Designed by Studio Sovet
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net, textured materia or in ceramic polished or matt finish
Dimensions:
W1400 x D1400 x H740 mm W1500 x D1500 x H740 mm W1800 x D1800 x H740 mm
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Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
$3,900.00
The richness of personality and the possibility of customization of the Totem collection finds wide expression in its outdoor version used in residential exteriors, lounges and restaurant bars. The small table version in two heights completes the area for relaxing in the outdoor space.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.