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Lazada
Designed by Studio Sovet
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net, textured materia or in ceramic polished or matt finish
Dimensions:
W2000 x D1000 x H740 mm W2400 x D1000 x H740 mm W2400 x D1200 x H740 mm W2400 x D1400 x H740 mm W3000 x D1000 x H740 mm W3000 x D1200 x H740 mm
$3,900.00
The richness of personality and the possibility of customization of the Totem collection finds wide expression in its outdoor version used in residential exteriors, lounges and restaurant bars. The small table version in two heights completes the area for relaxing in the outdoor space.
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Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
Aluminum and perforated texture armchair, it is available in different shades of colors; ideal for outdoor use and resistant to atmospheric agents.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]