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Designed by Gianluigi Landoni
Gocce di rugiada is a collection of soft lines mirrors, like lots of water drops gliding from autumn leafs. This feature, together with the panel on the back that allows a 360° rotation, allows to create infinite combinations, with even newer effects. Available also in the smoked and bronzed version to get further chromatic choices.
Finishes:
Rotatable, mirror in clear, tinted grey or bronze
Dimensions:
W870 x D6/56 x H580 mm W870 x D13/63 x H580 mm
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Segment is a wall mirror with engraved segments of great visual impact. Available in various sizes in the square, rectangular or round shape, also with a led lighting on the back that catches the eye to the segment decoration.
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
Magda is a new collection of sideboards that combines the material aspect and the soft grains of the marble effect ceramic with the precious and fascinating shades of the Sovet’s mirrors
M. C. Escher’s impossible figures inspire a coffee table that founds its uniqueness on the particular design of the base
$1,880.00
With an angular black steel frame offset by a rounded black marble table top; this new scale creates the perfect subtle centre-piece.
This original and versatile series of coffee and side tables is available in different shapes, sizes, materials for the top and in different finishes for the metal base. Ideal as lamp/ coffee table, it perfectly matches with any kind of seat, thanks to its lively personality.
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
Rocco coffee table collection takes inspiration from the Stone Henge. The play with natural simplicity and sculpture resulting in both ancient and modern.