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Designed by Gianluigi Landoni
A new table whose shapes and materials are enhanced in a natural equilibrium of geometries thanks to the iconic base inspired by the sculpted lines of the Dolomites.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net, textured liquid, textured materia or in ceramic polished or matt finish
Dimensions:
W2200 x D1150 x H750 mm W2500 x D1200 x H750 mm W3000 x D1350 x H750 mm
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The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
Segment is a wall mirror with engraved segments of great visual impact. Available in various sizes in the square, rectangular or round shape, also with a led lighting on the back that catches the eye to the segment decoration.
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
Elegant and light like the namesake glass, this table expresses different personalities according to the chosen materials and colour combinations: from the top in lacquered glass, Materia, wood, ceramic or hpl, to the base in lacquered or polished chrome metal.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
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