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Designed by Studio Sovet
Delphi is a glass modular bookcase that creates a sinuous “wave” effect through its trapezoidshaped shelves of different sizes. The smoked glass version has a refined charm while the extralight finish looks particularly light and spreads brightness in the room.
Finishes:
Structure in glass in clear or tinted smoke, optional back panel lacquered in a selection of colours for clear structure
Dimensions:
W690 x D330 x H960 mm W690 x D330 x H1900 mm
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Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.
Beech rods bent according to a modern technology, seat shaped by modern production methods and contemporary design. The Tram chair connects everything that is typical for TON today. Its lines simplify any interior and are available in a version with armrests or upholstery.
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
Magda is a new collection of sideboards that combines the material aspect and the soft grains of the marble effect ceramic with the precious and fascinating shades of the Sovet’s mirrors