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Designed by Studio Sovet
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass,top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak veneer
Dimensions:
Rectangular: W2400 x D1200 x H740 mm W2500 x D1000 x H740 mm Elliptical: W2500 x D1200 x H740 mm
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Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
Horizon mirror is bordered by an aluminium frame characterized by a thin moulding at the edge. The reflective surface is also available with a frosted finish that draws an horizon line, playing with light and proportions. The different available sizes and the wall swivel fixing allow to create different situations and compositions.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
$1,150.00
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials. The body in multi-layer wood, available also padded and covered, is supported by a slim metal base, stackable or trestle.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]