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Designed by Studio Sovet
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass,top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net or in ceramic polished or matt finish or in oak veneer
Dimensions:
Rectangular: W2400 x D1200 x H740 mm W2500 x D1000 x H740 mm Elliptical: W2500 x D1200 x H740 mm
$3,900.00
The richness of personality and the possibility of customization of the Totem collection finds wide expression in its outdoor version used in residential exteriors, lounges and restaurant bars. The small table version in two heights completes the area for relaxing in the outdoor space.
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Horizon mirror is bordered by an aluminium frame characterized by a thin moulding at the edge. The reflective surface is also available with a frosted finish that draws an horizon line, playing with light and proportions. The different available sizes and the wall swivel fixing allow to create different situations and compositions.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Organic lines. Elegantly understated details. Spanning across dining, bar and lounge typologies. The Folium seating series emulates the natural shape of leaves, translating them into a modernly timeless design for professional projects and homes alike.
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.