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Designed by Studio Sovet
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Finishes:
Legs in metal lacquered white, clay, mocha, black or burnished brass, upholstery in a selection of fabrics or leather
Dimensions:
W510 x D570 x H810 mm SH460 mm
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Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Flûte is a swivel chair that is ideal for different places such as home and office. It is available with polished chrome or lacquered metal structure. The comfortable seat with arms is in white, black or mocha polypropylene.
$3,900.00
The richness of personality and the possibility of customization of the Totem collection finds wide expression in its outdoor version used in residential exteriors, lounges and restaurant bars. The small table version in two heights completes the area for relaxing in the outdoor space.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.