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Lazada
Designed by Studio Sovet
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Finishes:
Structure in glass in clear or tinted smoke or lacquered or 2 tone lacquered in a selection of colours
Dimensions:
W1000 x D330 x H740 mm W1250 x D410 x H740 mm W1250 x D410 x H860 mm
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A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Two industrial-inspired elements that merge in a composition that reminds a railway crossing. This is the basic design idea of Cross, a table that represents a meeting point between the concepts of stability and dynamism, strength and harmony, thought and material.
An elegant, essential and modular solution, to transform every space into a fascinating display.
$1,550.00
Rooted in the tradition of Scandinavian materiality and craftsmanship, the table seamlessly combines modern functionality with adaptability to diverse settings. The refined design exudes sophistication, as defined by its bespoke lines, while the integrated storage enhances both form and function, maintaining unity within the Mass design family through its elemental materials.
Denver Up adds to the wide mirrored surface that is raised from the frame, the magic of the light spreading out directly from its perimeter and creating a very particular effect: both in horizontal and vertical version.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.