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Designed by Studio Sovet
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Finishes:
Structure in glass in clear or tinted smoke or lacquered or 2 tone lacquered in a selection of colours, drawer unit in wood in oak veneer lacquered white or stained black or in walnut
Dimensions:
W1250 x D410 x H740 mm W1250 x D410 x H860 mm
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Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Flûte is a swivel chair that is ideal for different places such as home and office. It is available with polished chrome or lacquered metal structure. The comfortable seat with arms is in white, black or mocha polypropylene.
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
Denver Up adds to the wide mirrored surface that is raised from the frame, the magic of the light spreading out directly from its perimeter and creating a very particular effect: both in horizontal and vertical version.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.