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Designed by Studio Sovet
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Finishes:
Structure in glass in clear, tinted smoke, lacquered or frosted lacquered in a selection of colours
Dimensions:
W600 x D600 x H460 mm W800 x D800 x H360 mm W1100 x D1100 x H360 mm
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Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
Delphi is a glass modular bookcase that creates a sinuous “wave” effect through its trapezoidshaped shelves of different sizes. The smoked glass version has a refined charm while the extralight finish looks particularly light and spreads brightness in the room.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
$1,770.00
A throwback to mid-century modern? Not quite. Extreme proportions lend themselves to an elegant and surprising form in this update to an old classic. The smooth, yet decisive, shift between slim and solid, which creates the Bukowski chair?s curvaceous legs, is played out like a lively dance with the material. Meanwhile the balance of the […]
Denver Up adds to the wide mirrored surface that is raised from the frame, the magic of the light spreading out directly from its perimeter and creating a very particular effect: both in horizontal and vertical version.
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.