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Designed by Studio Sovet
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Finishes:
Structure in glass in clear, tinted smoke, lacquered or frosted lacquered in a selection of colours
Dimensions:
W600 x D600 x H460 mm W800 x D800 x H360 mm W1100 x D1100 x H360 mm
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Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
Aikido is a dining table of essential design which becomes protagonist of daily life and of any space thanks to its warm and prestigious materials. The single base matches with the round, oval or square top while the double base completed by the rectangular or shaped top is the ideal solution for big home spaces […]
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
Delphi is a glass modular bookcase that creates a sinuous “wave” effect through its trapezoidshaped shelves of different sizes. The smoked glass version has a refined charm while the extralight finish looks particularly light and spreads brightness in the room.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.