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Lazada
Designed by Christophe Pillet
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The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
Strong and stylish, Pulp, a cantilever chair designed by Christophe Pillet and produced by Kristalia polypropylene, offers a new design component to enliven not only the home but also any public space (perfect for hotels, hotels, restaurants, bars, shops or even offices). Produced with sleek lines this piece is available in a range of strong […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Pau from Inclass is an innovative proposal of upholstered elements that can be combined to suit the dimensions and shapes of any space. The collection consists of sofas which are manufactured with or without backrests of different sizes that can be combined with wooden or upholstered arms. This variety of elements allows a greater formal […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.