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Designed by Christophe Pillet
Finishes:
Structure in metal lacquered anodic bronze
Dimensions:
W550 x D250 x H500 mm
Wattage:
40W, E14
0
Christophe Pillet has sculpted a chair with armrest for Kristalia, suited also to use inside, perhaps in a modern office or flat, as well as in a garden or on the patio of an al fresco restaurant. The chair is visually striking, not in colour, for it is both sensibly and starkly monochromatic, but in […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
The design of the Mingx collection issues from the same tubular profile that also inspired the bookcase zigzag, and develops into an extensive family of elements: seats, stools and tables, which establish a harmonious mutual dialogue that also extends to the bookcase. the name Mingx clearly refers to the Ming dynasty that most influenced the […]
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.