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Designed by John Astbury
The Margin lighting family is designer John Asbury?s modern interpretation of a classic luminaire. Exploring a tiered typology for lighting, Margin?s intersecting shades gently diffuse the light and instantly set the tone with warmth and tactility. The softness of the fabric is tempered by a clean and graphic silhouette that lends a certain presence and volume to a space. It is the sense of proportions, along with details such as the linear element through the lamp, which sharpen the aesthetics and allow Margin?s special character to unfold.
Finishes:
Base in steel powder coated black, diffusor in fabric in beige
Dimensions:
DIA360 x H565 mm
Wattage:
3 x 11W, E27
$470.00
The Margin Portable Table Lamp is perfectly sized to bridge the gap between a traditional table lamp and a portable light source. Staying true to the graphic volumes of the series, Margin now takes shape as a thoughtfully designed ambience light. Not only is it wireless, allowing you to place its warm glow wherever you […]
$740.00
Contemporary British designer John Astbury wanted to create a side table endowed with a sense of monolithic strength. The result was Tung, a compact piece supported by three curved legs that allude to the architectural presence of ancient pillars.
Akin to a well-composed melody, complex but seemingly effortless, the Coda modular sofa offers the building blocks to create harmonious and uniquely tailored soft seating arrangements. With clear lines and generous curves, Coda treads a fine line between welcoming comfort and structured elegance. Drawing you in with its soft, cushioned seating, the sofa naturally acts […]
$860.00
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$710.00
A flexible table designed by Patrick Norguet for Kristalia that can be stored easily, without sacrificing the elegance of its shape. Poule is ideal for public spaces, it’s easy to store and move around with lightweight structure.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.