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Designed by Steven Bukowski
With its bold geometry and unmistakable silhouette, the Bukowski Lounge Chair balances sculptural presence with welcoming ease. The lounge chair retains the essence of the original Bukowski Chair while enhancing its inviting nature, with an upholstered backrest and a lowered seat. Crafted from solid wood and generous upholstery, the lounge chair showcases an elegant silhouette, where a harmonious interplay of bold proportions conjures a visually captivating form. The seamless flow between slender and robust elements is masterfully articulated in the chair?s sinuous legs, evoking a sense of fluidity and imparting the lounge chair with a strong, monumental presence.
Variation
$1,770.00
A throwback to mid-century modern? Not quite. Extreme proportions lend themselves to an elegant and surprising form in this update to an old classic. The smooth, yet decisive, shift between slim and solid, which creates the Bukowski chair?s curvaceous legs, is played out like a lively dance with the material. Meanwhile the balance of the […]
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The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.