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Lazada
Designed by Ramos-Bassols
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based.
The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Finishes:
Wood legs in oak or lacquered matching seat colour, seat in polypropylene in white, black, beige or water grey or natural oak or stained black, optional seat pad upholstered in fabric and joining device
Dimensions:
W540 x D550 x H750 mm
Note:
Minimum quantity required
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Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
A Scandinavian design, this chair is in keeping with their taste for fresh minimalist shapes and corners, combined with simplicity and colours that both enhance and compliment a room. This is no ordinary chair as well as being functional and with plenty of aesthetic value; it also comes with strong foundations and is extremely durable. […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.