Lighting Sale -15% till 3 October 2026
Clearance items - Up to 80%*
Online Exclusive - 10% off &Tradition with code AT10
Visit us in store for a wider selection of items not found online.
Designed by Ramos-Bassols
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based.
The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Finishes:
Wood legs in oak or lacquered matching seat colour, seat in polypropylene in white, black, beige or water grey or natural oak or stained black, optional seat pad upholstered in fabric and joining device
Dimensions:
W540 x D550 x H750 mm
Note:
Minimum quantity required
0
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
The Altea collection from Inclass by synonymous designer, Jorge Pensi, in the fields of contract seating, consists of comfortable chairs, with two backrest heights, that can be combined with different bases and structures to allow a broad range of use. Its formal identity stands out for its smooth embracing curves and pure lines, away from […]
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.